Why we need to talk to people with opposing views
Ian Williams, the award-winning author of What I Mean to Say, explores how empathy and vulnerability can revive the lost art of meaningful dialogue
This Anglican priest fought to protect a churchyard encampment
Maggie Helwig and her Toronto parish saw the tent sanctuary as a way for residents to survive. Others saw it as a problem to be solved.
Are rivers alive? Robert Macfarlane’s daring new book says yes
Acclaimed U.K. writer crafts a poetic call to reimagine our bond with nature
Her church cast her out for being gay. 30 years later, it made amends.
Victoria ministers Revs. Martha Juillerat and Tammy Lindahl lost their ordinations after coming out in the 1990s. Now, the Presbyterian Church U.S.A.
Trump and the ruinous gospel of power
White evangelicals’ embrace of the U.S. president is transforming faith into a weapon of the state
How white evangelicals incite homophobia in Uganda
The East African country has one of the world’s most extreme anti-gay laws. Steven Kabuye nearly paid with his life.
South Asians face rising hate in Canada
Amid policy shifts and government failures, new immigrants endure scapegoating and racism
Indigenous resistance doesn’t begin or end at the Canada-U.S. border
As Canadians react to cross-border tensions, many Indigenous communities stay focused on more systemic struggles
Why Broadview is proudly staying the course on inclusion and diversity
While others quietly drop their EDI goals, we’re meeting ours and surpassing them
Should I call out my friends when they share misinformation?
In a culture of online outrage, the urge to correct can be strong
Why we need to talk to people with opposing views
Ian Williams, the award-winning author of What I Mean to Say, explores how empathy and vulnerability can revive the lost art of
This Canadian soccer league champions more than competition
The Canadian Street Soccer Association offers connection, support — and a shot at the Homeless World Cup in Norway
‘The Life of Chuck’ dares to be kind
Mike Flanagan’s feel-good apocalyptic drama offers hope and healing in grim times
